Oxford Comparative Criticism and Translation (OCCT)
Un podcast de Oxford University
39 Épisodes
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Translation as Afterlife
Publié: 24/02/2017 -
“Forgotten Europe”: Translating Marginalised Languages
Publié: 10/02/2017 -
Between Languages: Working in and out on Translation
Publié: 30/11/2016 -
Literature Beyond Literary Studies: Intermediality and Interdisciplinarity
Publié: 01/11/2016 -
Comparative Criticism: What Is It and Why Do We Do It?
Publié: 19/10/2016 -
Intercultural Literary Practices
Publié: 09/11/2015 -
Fiction and Other Minds
Publié: 09/11/2015 -
Extremist Translation and the Deformation Zone
Publié: 24/07/2015 -
Lunchtime talk with Italian journalist Antonio Armano
Publié: 23/06/2015 -
Translation and Ekphrasis: Dante and the visual arts
Publié: 24/02/2015 -
Intercultural Tales
Publié: 17/02/2015 -
To the Lighthouse
Publié: 09/02/2015 -
OCCT event - The Creativity of Criticism part four
Publié: 19/12/2014 -
OCCT event - The Creativity of Criticism part three
Publié: 19/12/2014 -
OCCT event - The Creativity of Criticism part two
Publié: 19/12/2014 -
Languages of Criticism - Translation and Comparison part two
Publié: 17/12/2014 -
Unbuttoning Catullus
Publié: 01/12/2014 -
Other Worlding
Publié: 14/11/2014 -
Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros
Publié: 14/11/2014 -
Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’
Publié: 20/09/2014
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.