39 Épisodes

  1. Translation as Afterlife

    Publié: 24/02/2017
  2. “Forgotten Europe”: Translating Marginalised Languages

    Publié: 10/02/2017
  3. Between Languages: Working in and out on Translation

    Publié: 30/11/2016
  4. Literature Beyond Literary Studies: Intermediality and Interdisciplinarity

    Publié: 01/11/2016
  5. Comparative Criticism: What Is It and Why Do We Do It?

    Publié: 19/10/2016
  6. Intercultural Literary Practices

    Publié: 09/11/2015
  7. Fiction and Other Minds

    Publié: 09/11/2015
  8. Extremist Translation and the Deformation Zone

    Publié: 24/07/2015
  9. Lunchtime talk with Italian journalist Antonio Armano

    Publié: 23/06/2015
  10. Translation and Ekphrasis: Dante and the visual arts

    Publié: 24/02/2015
  11. Intercultural Tales

    Publié: 17/02/2015
  12. To the Lighthouse

    Publié: 09/02/2015
  13. OCCT event - The Creativity of Criticism part four

    Publié: 19/12/2014
  14. OCCT event - The Creativity of Criticism part three

    Publié: 19/12/2014
  15. OCCT event - The Creativity of Criticism part two

    Publié: 19/12/2014
  16. Languages of Criticism - Translation and Comparison part two

    Publié: 17/12/2014
  17. Unbuttoning Catullus

    Publié: 01/12/2014
  18. Other Worlding

    Publié: 14/11/2014
  19. Kirmen Uribe - Reading and in discussion with Daniela Omlor and Xon de Ros

    Publié: 14/11/2014
  20. Cultures of Mind-Reading: The Novel and Other Minds - ‘Narrative and/as Heterophenomenology: Modelling Nonhuman Experiences in Storyworlds’

    Publié: 20/09/2014

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The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.

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