Oxford Comparative Criticism and Translation (OCCT)
Un podcast de Oxford University
39 Épisodes
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Cultures of Mind-Reading: The Novel and Other Minds - “Tell Me Who I Am”
Publié: 20/09/2014 -
OCCT event - The Point of Comparison
Publié: 20/09/2014 -
Languages of Criticism - Translation and Comparison part one
Publié: 20/09/2014 -
Languages of Criticism - The Practice of Commentary
Publié: 20/09/2014 -
Languages of Criticism - Creatively Critical
Publié: 20/09/2014 -
OCCT event - The Creativity of Criticism part one
Publié: 20/09/2014 -
Philosophy of Criticism - Creativity as a Virtue of Character
Publié: 20/09/2014 -
Philosophy of Criticism - Malcolm Budd’s “The Intersubjective Validity of Aesthetic Judgements”
Publié: 20/09/2014 -
Philosophy of Criticism - Justifying Canonic Value
Publié: 20/09/2014 -
Philosophy of Criticism - Creativity, Culture and Tradition
Publié: 20/09/2014 -
Intercultural Literary Practices - Rethinking the Political through Intercultural Aesthetics
Publié: 20/09/2014 -
Intercultural Literary Practices - Theorising Interculturality
Publié: 20/09/2014 -
Translators and Writers - Translation and Fictionality
Publié: 20/09/2014 -
Translators and Writers - Poetry and the Act of Translation
Publié: 20/09/2014 -
Round Table: The Future of Comparative Criticism
Publié: 22/10/2013 -
Tropes of Comparison
Publié: 22/10/2013 -
Comparative Literature, Britain and Empire
Publié: 22/10/2013 -
Shaped by the Classics?
Publié: 22/10/2013 -
Literature in the World
Publié: 22/10/2013
The discipline of Comparative Literature is changing. Its Eurocentric heritage has been challenged by various formulations of ‘world literature’, while new media and new forms of artistic production are bringing urgency to comparative thinking across literature, film, the visual arts and music. The resulting questions of method are both intellectually compelling and central to the future of the humanities. To confront them, our research programme brings together experts from the disciplines of English, Medieval and Modern Languages, Oriental Studies, and Classics, and draws in collaborators from Music, Visual Art, Film, Philosophy and History.
