58 Épisodes

  1. “Fragmentary Ruins and the Enduring Image”: Cammy Brothers on Drawing as a Way of Thinking

    Publié: 26/03/2024
  2. "A Critique of What Art Can Do”: Jennifer Nelson on Undoing Mastery

    Publié: 19/03/2024
  3. “To Give Shape to a Way of Seeing the Past”: Shira Brisman on the Intimacy of Writing the History of Social Art

    Publié: 12/03/2024
  4. “The Magic Art of Framing”: Alexander Nemerov on Writing History and Making a World

    Publié: 05/03/2024
  5. "On Living Archives": Tsedaye Makonnen on Collaboration and Black Performance Practices

    Publié: 18/04/2023
  6. "Attention Becomes a Kind of Politics": Sarah Hamill on Sculpture and Interpretation

    Publié: 11/04/2023
  7. “Shifting Focal Points”: Sergei Tcherepnin on Sonic Attention

    Publié: 04/04/2023
  8. “What ‘Minor' Histories Allow Us to See”: Donette Francis on Writing African Diaspora

    Publié: 28/03/2023
  9. "I Never Start with Nothing": Mary Lum on Collage and Constructed Geographies

    Publié: 21/03/2023
  10. “An Outward-Looking Model”: The Future(s) of the University and Higher Education in a Digital Age with Koenraad Brosens and Blake Stimson

    Publié: 12/04/2022
  11. “What are Our Important Questions?”: Collaboration and Interdisciplinarity in a Digital Age with Jacqueline Francis and Susan Elizabeth Gagliardi

    Publié: 05/04/2022
  12. “To Make Visible the Structures”: Challenging the Canon, Digital and Beyond, with Niall Atkinson and Min Kyung Lee

    Publié: 29/03/2022
  13. “Distance and Criticality”: The Digital Humanities and the Potential for Art History Scholarship with Hubertus Kohle and Emily Pugh

    Publié: 22/03/2022
  14. “Directed Towards How We See Ourselves”: Social Art History in a Digital World with Paul B. Jaskot and Barbara McCloskey

    Publié: 15/03/2022
  15. “A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS

    Publié: 01/02/2022
  16. “A Picture of Resilience”: Ashley Lazevnick on Charles Demuth’s "Red Poppies"

    Publié: 01/02/2022
  17. “An Expression of the Poetic Self”: Yuefeng Wu on the Stele Inscription of the Jiu-Cheng Palace

    Publié: 01/02/2022
  18. “From Imitation to Evolution”: Emmelyn Butterfield-Rosen on Georges Seurat’s "A Sunday on La Grande Jatte–1884"

    Publié: 01/02/2022
  19. “An Allegory of Representation”: Byron Otis on Gabriel Metsu’s "View into a Hall with a Jester, a Boy, and his Dog"

    Publié: 01/02/2022
  20. "Touching at a Distance”: Ellen Tani on Nadine Robinson’s "Coronation Theme: Organon"

    Publié: 01/02/2022

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What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today.

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