In the Foreground: Conversations on Art & Writing
Un podcast de Caro Fowler
58 Épisodes
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“Between the Personal and the Historical”: Asma Naeem on Listening to Art and Visual Culture
Publié: 14/12/2021 -
“The Ethics of Seeing”: Kaira M. Cabañas on Creative Care and Art’s Histories
Publié: 07/12/2021 -
“Grounded by a Set of Relations”: Nancy Um on "Horizontal" Cultures within Art History
Publié: 30/11/2021 -
“To Approach the Object from Outside”: Joseph Koerner on History, Trauma, and Wonder
Publié: 16/11/2021 -
“To See the Effects of Sound”: Niall Atkinson on Acoustic Topographies of the Early Modern
Publié: 09/11/2021 -
“What a Picture Can’t Offer”: Michael Gaudio on the Imaginative Work of Sound in Art History
Publié: 02/11/2021 -
“How Do We Know What We Know?”: Susan Elizabeth Gagliardi on Fieldwork and Evidence
Publié: 26/10/2021 -
“Becoming Belonged”: Roberto Tejada on the Political Project of Photography and Poetry
Publié: 19/10/2021 -
“What Sort of Problems Does an Artwork Pose?”: Joan Kee on Art History as an Infinite Game
Publié: 12/10/2021 -
“Always About to Take Place”: Glenn Peers on the Byzantine Fresco Chapel
Publié: 08/06/2021 -
“The Status of the Human”: Amy Freund on the First French Hunting Portrait
Publié: 08/06/2021 -
“The Erosion of History”: Samantha Page on Hung Liu’s “Migrant Mother”
Publié: 08/06/2021 -
“A Rebuke to Polite Masculinity”: Charles Keiffer on Thomas Patch’s “British Gentlemen at Sir Horace Mann’s Home in Florence”
Publié: 08/06/2021 -
“The Color of Emergency”: Joan Kee on Chao-Chen Yang’s “Apprehension”
Publié: 08/06/2021 -
“It Looks like How Jazz Sounds”: Jordan Horton on Romare Bearden's “The Dove”
Publié: 08/06/2021 -
“‘Others’ of Various Kinds”: J. Vanessa Lyon on Intersectionality as an Early Modern Scholar
Publié: 04/05/2021 -
“Where the Impossible is Possible”: Saundra Weddle and Lisa Pon on Collaboration and Renaissance Studies
Publié: 27/04/2021 -
"One's Own Bifurcations": Lorraine O'Grady on Both/And Thinking in Art
Publié: 20/04/2021 -
“Moving Across the Threshold“: Alisa LaGamma on Curating the Arts of Africa
Publié: 13/04/2021 -
“Sound is a Dimension of Reality”: Robin James on Theorizing Sound, Race, and Gender
Publié: 30/03/2021
What does it mean to make art history? In the Foreground: Conversations on Art & Writing considers the role of art in society, how knowledge is shared (or obscured), and the way histories are made and unmade—while also considering the personal stakes of scholarship. Each episode offers a lively, in-depth look into the life and mind of a scholar or artist working with art historical or visual material. Discussions touch on guests’ current research projects, career paths, and significant texts, mentors, and experiences that have shaped their thinking. We invite you to join us and listen in on these conversations about the stakes of doing art history today.
