The No Film School Podcast
Un podcast de No Film School
837 Épisodes
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Why Playing It Safe Will Ruin Your Movie — Blumhouse Hit Director Christopher Landon on Drop
Publié: 11/04/2025 -
What They Don’t Tell You About Editing a Feature with 'Sacramento' Editor
Publié: 03/04/2025 -
How Real Is STAY IN LA? Plus Sundance DPs on Landing Jobs & Getting Shots
Publié: 27/03/2025 -
Filmmaker’s Guide to SXSW: Tips, Takeaways & Tough Lessons
Publié: 21/03/2025 -
Blueprints for Making Films Outside of the System
Publié: 13/03/2025 -
Crafting Connection: The Editors Behind 'Daughters'
Publié: 06/03/2025 -
Amazon Captures Bond and a Producer on Producing
Publié: 03/03/2025 -
How ‘The Substance’ Editor Trimmed the Fat of the Hit Body Horror Flick
Publié: 27/02/2025 -
This 30 Min Oner Short Played Sundance & Slamdance
Publié: 21/02/2025 -
Why This ‘Last Showgirl’ Producer Thinks Indie Cinema Still Has Legs
Publié: 13/02/2025 -
How ‘Companion’ Director Drew Hancock Built His Career on Reps & Luck
Publié: 06/02/2025 -
How Sundance Didn't Die
Publié: 30/01/2025 -
‘Back in Action’ Director Seth Gordon: Get Lost in One Detail at a Time
Publié: 30/01/2025 -
SXSW Vets Teach Rookies How to Fest
Publié: 25/01/2025 -
How Filmmakers Are Coming Together Amidst the LA Fires
Publié: 15/01/2025 -
How Leaving LA Led to a 40 Theater Release With a First Script
Publié: 10/01/2025 -
John August Wants to Make Your (Screenwriting) Life Easier
Publié: 02/01/2025 -
James Mangold Unwraps the Craft of "A Complete Unknown"
Publié: 25/12/2024 -
How The ‘Los Frikis’ Directors Injected Dark Humor, History, and HIV into Their Film
Publié: 24/12/2024 -
Invisible Work of Producers Plus Sundance Slate 2025
Publié: 19/12/2024
A podcast about how to build a career in filmmaking. No Film School shares the latest opportunities and trends for anyone working in film and TV. We break news on cameras, lighting, and apps. We interview leaders in screenwriting, directing, cinematography, editing, and producing. And we answer your questions! We are dedicated to sharing knowledge with filmmakers around the globe, “no film school” required.