The Business

Un podcast de KCRW - Les vendredis

Les vendredis

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285 Épisodes

  1. Porn meets feminism in Ellen Rapoport’s new HBO comedy ‘Minx’

    Publié: 04/04/2022
  2. Showrunner Liz Meriwether finds critical acclaim with ‘The Dropout’

    Publié: 25/03/2022
  3. ‘Dune’ director and producer on making epic sci-fi saga without a Marvel budget

    Publié: 18/03/2022
  4. China’s rise, from factories to movie screens

    Publié: 11/03/2022
  5. ‘Drive My Car’ director takes Japanese art house cinema to Oscars

    Publié: 04/03/2022
  6. ‘King Richard’ director on relating to Williams sisters and nabbing Oscar noms

    Publié: 25/02/2022
  7. Paramount doesn’t impress investors, Oscars struggle to reach audiences

    Publié: 18/02/2022
  8. ‘We Need to Talk About Cosby’: W. Kamau Bell on comedian’s complex legacy

    Publié: 11/02/2022
  9. Phil Lord and Chris Miller on ‘The Afterparty’ and dynamics of their partnership

    Publié: 04/02/2022
  10. Marlee Matlin and Siân Heder on ‘CODA’

    Publié: 28/01/2022
  11. Bradley Cooper on future of movie business: ‘There is trepidation’

    Publié: 21/01/2022
  12. Bradley Cooper on ‘Licorice Pizza’ and ‘Nightmare Alley’

    Publié: 14/01/2022
  13. Asghar Farhadi on his Oscar-shortlisted film 'A Hero'

    Publié: 07/01/2022
  14. Director Maggie Gyllenhaal on ‘The Lost Daughter’

    Publié: 31/12/2021
  15. Megabanter 2021: Streaming wars get real, legacy studios at risk

    Publié: 24/12/2021
  16. Oscar winner Mahershala Ali on ‘Swan Song’

    Publié: 17/12/2021
  17. ‘Flee’: Using animation to protect an Afghan’s identity

    Publié: 10/12/2021
  18. With Discovery on the way in, what does the future hold for HBO?

    Publié: 03/12/2021
  19. ‘Tinderbox’: HBO has drama on and off the screen

    Publié: 26/11/2021
  20. Netflix’s ‘Procession’ is a therapeutic experiment, using drama to ease past trauma

    Publié: 19/11/2021

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Lively banter about entertainment industry news and in-depth interviews with directors, producers, writers and actors, hosted by award-winning journalist Kim Masters of The Hollywood Reporter.

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