Read Between the Wines Podcast
Un podcast de Pierre Ferland
68 Épisodes
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E50 - Domaine Lafage, Roussillon, France
Publié: 17/04/2024 -
E49 - Foot Trodden (Wines of Portugal) · Simon Woolf
Publié: 06/04/2024 -
E48 - Ziraldo Prosecco, Italy
Publié: 09/02/2024 -
E47 - Xavier Vignon, Rhône Valley, France
Publié: 23/11/2023 -
E46 - De Long Maps & Charts · Steve De Long
Publié: 04/11/2023 -
E45 - The Wine Bible · Karen MacNeil, USA
Publié: 29/11/2022 -
E44 - Versado Winery, Mendoza, Argentina
Publié: 16/11/2022 -
E43 - Two Sisters Vineyards, Canada
Publié: 08/12/2021 -
E42 - Windrush Estate Winery, Canada
Publié: 17/11/2021 -
E41 - Ken Forrester Vineyards, South Africa
Publié: 14/05/2021 -
E40 - Big Macs and Burgundy · Vanessa Price, USA
Publié: 29/04/2021 -
E38 - Trialto Wine Group · Richard Dittmar, Canada
Publié: 01/04/2021 -
E37 - Rosewood Winery, Canada
Publié: 12/03/2021 -
E36 - 2027 Cellars, Canada
Publié: 07/03/2021 -
E35 - Noble Estates Wine & Spirits · Craig De Blois, Canada
Publié: 19/01/2021 -
E34 - Queenston Mile Vineyard, Canada
Publié: 16/12/2020 -
E33 - Ferox Wines, Canada
Publié: 18/03/2020 -
E32 - Remy Wines, Oregon, USA
Publié: 07/03/2020 -
E31 - Donald Ziraldo · The History of Canadian Wine
Publié: 27/02/2020 -
E30 - Burghundy · Adam Knoerzer, Pittsburgh, USA
Publié: 14/02/2020
Read Between the Wines Podcast is not really a podcast, it’s a repository of stories from the wine world. It is focused on the narratives behind the winemakers rather than wine scoring. Founded and hosted by Vino-enthusiast Pierre Ferland, it offers a different and refreshing concept in wine exploration. Each episode offers a unique perspective on vineyard’s tales, much like each vintage brings its own profile and personality to a blend. Some conversations will delve into winemaking techniques, while others will explore initiatives to preserve biodiversity and find solutions to combat climate change. From a consumer perspective, we are intrigued by how wine scoring has dominated the industry, leaving many enthusiasts perplexed by its intricacies yet still relying on a solitary number for their selections. We understand and respect the fact that a generous score can help move a few bottles and we won’t hold it against any wineries, but from a vintner and a winemaker perspective, we pose a pivotal question: what legacy do you wish to imprint upon your clientele? A numerical rating, or the compelling tale of your craft? Think about it. What score would you give to the “Mona Lisa” or “The Starry Night” from Van Gogh? About “Composition 8” from Kandinsky or “The Creation of Adam” by Michelangelo. It’s very subjective indeed and so is Pinot Noir from Burgundy, Cabernet Sauvignon from Australia and Riesling from Germany.
