(in)sight-reading enlightenment/early music podcast
Un podcast de Darina Ablogina
67 Épisodes
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Reviving the Renaissance with Marc Lewon
Publié: 30/04/2025 -
London Calling: Inside LIFEM with Chris Butler & Erik Bosgraaf
Publié: 28/03/2025 -
Pierre Hantaï: Understanding a Genius
Publié: 03/02/2025 -
Behind the Curtain: Kenneth Zammit Tabona on Early Music and Festival Crafting
Publié: 26/01/2025 -
Myth of a self-made man/Lila Hajosi (Irini)
Publié: 31/12/2024 -
Giovanni Antonini: a visionary of our time
Publié: 20/10/2024 -
Interview with Lucie Horsch, B’Rock and Olga Pashchenko
Publié: 22/09/2024 -
Motivation to go on stage: Why is it important to be there?
Publié: 31/08/2024 -
In tribute to the Stockholm Early Music Festival: interview with the artistic director Peter Pontvik
Publié: 11/07/2024 -
Johann Christoph Friedrich Bach, Werke für Tasteninstrumente with Jermaine Sprosse
Publié: 28/05/2024 -
The glass bead game of Diversity with Roger Wilson
Publié: 21/03/2024 -
Stage fright of Clara Schumann and 100 % "no" in job applications
Publié: 17/03/2024 -
The book "Alte Musik heute" and its creators
Publié: 05/03/2024 -
Maltese baroque paradise with the Valetta Baroque Festival
Publié: 30/01/2024 -
Happy new year with Solazzo! Professional burnout: Anna Danilevskaia and the phylosiphic approach to relevant questions
Publié: 31/12/2023 -
Lucas Debargue: Music is here to disturb us
Publié: 25/11/2023 -
The genius of collaboration/percussionist Roberto Maqueda
Publié: 08/10/2023 -
Beethoven's late piano works with Olga Pashchenko
Publié: 29/09/2023 -
Dina König-the queen of baroque hearts
Publié: 31/07/2023 -
"There's a room full of people" - What motivates you to go on stage?
Publié: 26/06/2023
Hello dear friends! Welcome to our brand new podcast dedicated to sight-reading. Why sight-reading? We want to show the behind-the-scenes of music-making. We begin each episode with our initial thoughts on a new score as well as musings about style, aesthetics, and instruments. We challenge ourselves to apply our understanding of historical practices to achieve a more musical reading of a given text. Whether you are amateur musicians looking for tips on sight-reading and insight into historical performance or a seasoned musician, we would be happy if you joined us.
